On a Friday night this past July, it was July 22nd to be exact, we began to hear details about a shooting in Norway. Now, at first, it seemed like an isolated incident. But by Saturday morning, the full extent of the attacks started to become clear. A series of explosions, and then the systematic killing of dozens of young people by an extreme right wing gunman named Anders Behring Breivik.
That morning, we called journalist Anders Giaever. He's a columnist at one of Norway's largest newspapers and he was shaken.
If history repeats itself, one of the most popular programs on television Christmas Day will be a looped, seven-minute piece of film that's more than 40 years old. In some cities, it's consistently in the top three programs on Christmas morning, and yet it has no plot, no actors and it never seems to end.
NPR's Lourdes Garcia-Navarro has spent much of this year covering the uprising and civil war in Libya. As she and her Libyan colleagues drove through the streets of Tripoli this week, they often found themselves listening to a legendary American country music song. The lyrics about changing fortunes seemed to ring true for Libya, as she tells us in this reporter's notebook.
LOURDES GARCIA-NAVARRO, BYLINE: If every conflict has a theme song, then Libya's for me is as unlikely as it is fitting.