Sylvia Poggioli

Sylvia Poggioli is senior European correspondent for NPR's international desk covering political, economic, and cultural news in Italy, the Vatican, Western Europe and the Balkans. Poggioli's on-air reporting and analysis have encompassed the fall of communism in Eastern Europe, the turbulent civil war in the former Yugoslavia and how immigration has transformed European societies.

Since joining NPR's foreign desk in 1982, Poggioli has traveled extensively for reporting assignments. Most recently, she travelled to Norway to cover the aftermath of the brutal attacks by an ultra-rightwing extremist; to Greece, Spain, and Portugal for the latest on the euro-zone crisis; and the Balkans where the last wanted war criminals have been arrested.

In addition, Poggioli has traveled to France, Germany, United Kingdom, The Netherlands, Belgium, Austria, Sweden, and Denmark to produce in-depth reports on immigration, racism, Islam, and the rise of the right in Europe.

Throughout her career Poggioli has been recognized for her work with distinctions including: the WBUR Foreign Correspondent Award, the Welles Hangen Award for Distinguished Journalism, a George Foster Peabody and National Women's Political Caucus/Radcliffe College Exceptional Merit Media Awards, the Edward Weintal Journalism Prize, and the Silver Angel Excellence in the Media Award. Poggioli was part of the NPR team that won the 2000 Overseas Press Club Award for coverage of the war in Kosovo. In 2009, she received the Maria Grazia Cutulli Award for foreign reporting.

In 2000, Poggioli received an honorary Doctor of Humane Letters from Brandeis University. In 2006, she received an honorary degree from the University of Massachusetts at Boston together with Barack Obama.

Prior to this honor, Poggioli was elected a Fellow of the American Academy of Arts and Sciences "for her distinctive, cultivated and authoritative reports on 'ethnic cleansing' in Bosnia." In 1990, Poggioli spent an academic year at Harvard University as a research fellow at Harvard University's Center for Press, Politics, and Public Policy at the Kennedy School of Government.

From 1971 to 1986, Poggioli served as an editor on the English-language desk for the Ansa News Agency in Italy. She worked at the Festival of Two Worlds in Spoleto, Italy. She was actively involved with women's film and theater groups.

The daughter of Italian anti-fascists who were forced to flee Italy under Mussolini, Poggioli was born in Providence, Rhode Island, and grew up in Cambridge, Massachusetts. She graduated from Harvard College with a Bachelor's degree in Romance languages and literature. She later studied in Italy under a Fulbright Scholarship.

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3:42pm

Fri November 1, 2013
Parallels

In A Church Built On Tradition, The Pope Likes Spontaneity

Originally published on Fri November 1, 2013 7:36 pm

A young man gives a Catholic skullcap to Pope Francis as he greets the crowd before his general audience at St. Peter's Square at the Vatican on Oct. 16.
Alberto Pizzoli AFP/Getty Images

In the seven months since he was elected, Pope Francis has shaken up the Catholic world and beyond with off-the-cuff homilies, phone calls to ordinary folk and unscripted interviews. His Twitter followers now exceed 10 million. Described by the Vatican as "conversational," the new papal style is drawing praise from large numbers of Catholics and nonbelievers alike.

But it's also making some conservative Catholics deeply uncomfortable.

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3:44pm

Mon September 16, 2013
NPR Story

Costa Concordia Clear Of Pollution And Delicate Reefs

Originally published on Mon September 16, 2013 4:55 pm

Transcript

AUDIE CORNISH, HOST:

It's being called the largest marine salvage operation ever. Off the coast of west Italy, engineers are attempting to rotate the wrecked Costa Concordia cruise liner to an upright position. The massive ship is now clear of the reef that had penetrated the hull. And apparently, no pollutants are spilling from the ship.

NPR's Sylvia Poggioli joins us now from the island of Giglio. And, Sylvia, describe where you are now and whether there's been any visible progress toward riding the ship.

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5:04pm

Fri September 13, 2013
Europe

Off The Tuscan Coast, Raising The Ill-Fated Costa Concordia

Originally published on Fri September 13, 2013 7:29 pm

An aerial view taken on Aug. 23 shows the Costa Concordia as it lies on its side next to Giglio Island. The wrecked cruise ship will be rolled off the seabed and onto underwater platforms.
Alessandro Bianchi Reuters/Landov

Weather permitting, one of the largest maritime salvage operations ever attempted will get underway Monday in the waters off of an Italian island.

Twenty months ago, in January 2012, the Costa Concordia luxury liner smashed into a jagged reef, killing 32 people. Since then, the vessel has being lying on its side — an unsightly wreck visible for miles around.

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2:00am

Tue August 27, 2013
The Salt

Tortellini, The Dumpling Inspired By Venus' Navel

Originally published on Sat August 31, 2013 3:38 pm

Even in Sandro Botticelli's painting The Birth of Venus, the goddess's belly resembles a plump, firm tortellino.
Wikimedia.org

Tortellini — small circles of rolled dough folded around a filling — are one of the most renowned members of the Italian pasta family. In the land of their birth, the region near the Italian city of Bologna, they're strictly served as broth-like dumplings.

Possibly no foodstuff in Italian cuisine is surrounded by so much history and lore.

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2:02am

Mon August 19, 2013
Europe

Ai Weiwei Exhibit Shines Light On Time As Political Prisoner

Originally published on Mon August 19, 2013 5:52 am

Chinese artist Ai Weiwei's six iron boxes are part the 55th edition of the Venice Biennale of Arts in Venice, northern Italy. The work on display is called S.A.C.R.E.D. The four initials standing for supper, accuser, cleansing, ritual, entropy and doubt, and referring to Ai Weiwei time 81 days in detention in 2011.
Domenico Stinellis AP

Chinese dissident artist and architect Ai Weiwei is an outspoken critic of China's record on human rights. This year, Beijing prevented him from traveling to Venice for the first exhibition of a deeply autobiographical work. His most recent installation is an excruciatingly detailed depiction of the period he was held in solitary detention.

In a quiet corner close to a canal, Sant'Antonin is a typical 17th century Venetian church. But inside, the contrast between the paintings of old masters and the contemporary exhibit is stark.

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