There are countless reasons to pay homage to the legacy of country music and almost as many different ways to do so. Canadian artist Bahamas and Nashville’s Kelsey Waldon are doing just that in their own ways with recent projects. At a time when country traditions are strong across the Americana landscape, Bootcut by Bahamas and There’s Always A Song by Waldon demonstrate the power of devotion to a craft on one hand and celebration of heroes on the other.

Gallagher Guitars, a boutique luthier in tiny Wartrace, TN that had earned the loyalty of Doc Watson and other important acoustic musicians, was all but left for dead a few years ago. Middle Tennessee native David Mathis took over the brand and moved its equipment and legacy to Murfreesboro. Now it's back on track to make more guitars this year than ever in its history, and it's throwing its first-ever festival in the street outside its shop next Saturday, May 4. A day of instrument contests and performances is capped by a ticketed show featuring bluegrass star Dan Tyminski and his band.

It's taken decades for the nature and impact of Jerry Garcia’s formative years as a musician and band leader to emerge and become semi-common knowledge, because for many, his devotion to old-time string band and bluegrass music between 1961 and 1964 doesn’t square with the quantum jams he’d be leading just a few years later. But because of the Dead, we have jamgrass, a popular branch of the family tree where instrumental interplay coexists with preservation of classic songs. And at last, this connection is made, and this story is told, in a new museum exhibit set for a two-year run, Jerry Garcia – A Bluegrass Journey, at the Bluegrass Music Hall Of Fame & Museum in Owensboro, KY. Episode 280 of The String takes you there with sound and voices from its grand opening weekend in late March.